Trying to match a 1970's Premier "natural" birch finish, using a modern polyurethane varnish. Close - but perhaps not quite what I'm after
“Mary Kaye” Blonde Fender Jaguar. Filling a few pinholes, tinting, toning, and applying the final clear coat
Filling a few minor "pinholes", tinting and toning the colour coat, and applying a final clear gloss lacquer topcoat on a white blonde "Mary Kaye" type nitro finish.
“Mary Kaye” Blonde Fender Jaguar. Change of plan – Spraying a white blonde nitro finish
I've had a while to rethink my original plans for this Jaguar, and instead of a "natural", shellacked finish - I'm going to spray a "white blonde" nitro finish instead.
“Natural Ash” Jaguar. Body preparation – Sealing the wood, and flatting-back
More essential body prep, before the enforced lay-off for my upcoming eye op. This time it's sealing and fine sanding an Ash Jaguar body.
Kurt Cobain “Jag-Stang”. Preparation, and sealing an alder wood body
Sealing an alder wood body for my JagStang build. As always - the best-looking finishes rely on proper preparation
New project. Natural Ash Jaguar
Another Jaguar project. This time - to mop up a few more spare parts, and to act as a sort of "partner" to my in-progress, Candy Apple Red, Custom US Jaguar.
Gold leafed Hardtail Stratocaster. Extra prep before gilding.
A really good gilding job is impossible without really good preparation first. Having already given the Hardtail body a smooth, toning basecoat and a gilt varnish undercoat - there are a couple of extra bits of prep which should help when it comes to applying the metal leaf.
Prepping, grain filling and sealing an Ash Telecaster body.
The body for the "Dragoncaster" has finally arrived. Before I can begin to add the dragon design by hand, I need to make sure the body is prepped well enough to take the paint well, and prove a suitable base to build the rest of the guitar upon. As with most things - preparation is everything.